Friday, October 24, 2008

Portraits of the New American Century


Tobey C. Anderson

92 - 2' x 2' panels, acrylic & florescent paint on wood, begun 2005.
Canadians killed in Afghanistan
Collateral Damage/Iraq civilian casualties
Americans killed in Iraq from Iowa
Anonymous "Foreign Terrorists"

2 - 4 ft x 6 ft paintings: "Torture" #1 & 2, acrylic on canvas, 2008


Portraits of The New American Century
Tobey C. Anderson

October 23 - November 2, 2008
Opening: Thursday, Oct 23, 7 pm


Portraits of The New American Century: Collateral Damage. K_IA, Foreign Terrorists, KIA_CA_Afghanistan
96 - 2 ft x 2 ft panels, acrylic & florescent paint on wood, 2004 - present


As a Vietnam Era deserter from the U.S. Army, Tobey C. Anderson holds a vested interest in contemporary war. As a Canadian visual artist, he has looked to the media since 9/11 as inspiration for the salient details of The New American Century Project, an on-going body of work begun in 2004. Aware of the gaps between the images of the war seen through the media and the actual war itself, Anderson casts a new estranging light on the subject of “The War on Terror”. Portrayed in the RBG colours of the video screen from which the images were appropriated, the dead are lined up and gridded off in a darkened venue. This grid brings a systematic and solemn order to the disorder and chaos of the war.

The work does not encourage viewers to impose their own politics onto the people and events portrayed.
Instead, it upsets the balance of right and wrong and takes us to the core of humanity. Melancholic, but not nostalgic, this work creates a void. The loss is experienced on all levels: the loss of family and innocence, the loss of power, and of faith, but most importantly, the loss of humanity. This reclassification of the dead and wounded is not an attempt to memorialize as in the pictorial halls of fame, but to commemorate the personal pain and collective loss. To avoid sentimentality, Anderson deliberately undercuts these emotionally charged images with sweeping brush strokes, graphic lines and florescent paints. Reminiscent of the glow of the television, the aura evokes a haunting, unnatural tension.

Using the language of the media as a tool and influenced by night vision technology, Anderson exposes the
cultural vacuum surrounding the “War on Terror”. This installation is illuminated with black light in a dimly lit room. The individuals portrayed are appropriated from the Internet and media. Some images have been etched into our consciousness from as early as the apocalyptic morning of September 11th. Although the paintings reveal the popular culture from which they are borrowed, they reclaim and heighten the loss and horror of the destruction.

Tobey C. Anderson is a St. Catharines based artist and Founder of the CRAM Gallery & Collective. His “New
American Century Project” has been touring Ontario since 2007 and will be installed at the St. Thomas – Elgin Public Art Centre November 15 – January 11, 2008. Forty-five paintings of Canadians killed in Afghanistan and Shock & Awe Trilogy from The New American Century Project are in the permanent collection of the Agnes Etherington Art Centre – Queens University.

www.tobeycanderson.com

Wednesday, October 8, 2008

SISTERS & OTHER HUMANS

PAINTINGS BY CAROLINE MOSBY

Caroline used the Room as a starting point for Sisters. A room, as a place which has the potential of endless possibilities of occurrences. She uses this space to express her thought about her sisters and herself. These are thoughts that are imperfect when translated into words, but more fully explained through a visual language.

Other Humans are portraits of people from black and white documentary photographs of everyday life that Caroline felt facially expressed thoughts that she could personally recognize.

Tuesday, September 23, 2008

The Life and Times of ISTVAN KANTOR

The Life and Times of

ISTVAN KANTOR

(re)mixed media and performance

sept 25 - oct 5, 2008

opening reception/live performance sept 25, 7pm

Nuit Blanche event oct 4, starting 7pm until dawn.

FOUNTAIN

Director Maggy Perry

652A Queen Street West, Toronto

entrance on Palmerston Avenue

416.955.1318 / 647.519.0420

fountaingallery@gmail.com

opening hours: Friday-Sunday 2-7pm


www.istvankantor.com

amen@interlog.com

The Life and Times of Istvan Kantor is an exhibition of Kantor?s most recent mixed media works extended with two nights of performances, for the opening and for Nuit Blanche.

Employing his accumulationist plunder method Kantor keeps appropriating and reworking already existing images with childish playfulness and neo-punk rebelliousness.? He only works with recycled material, readjusting thrift store art, thrown away canvases, Value Village and Goodwill items, children book covers, art posters, etc. He mostly uses spray paint and china markers to add his signature icons, and for best result he also mixes his own blood into the multiplying colors, red, black, gold, silver, green, pink, yellow and blue. ?

Kantor?s painting technic is somewhat similar to his video editing: multilayers of images added with text, noise, and action based dynamic expressions widening the limited two dimensional surface of the canvases, wood panels or hard cardboards. ?

Kantor never gets inspired by empty white surfaces except when he is confronted by white walls in museums tempting him to deface them. Otherwise he would never start painting on a blank canvas in his studio. Kantor?s working method starts with a quest for images in second hand stores and in the streets. After collecting and accumulating a large number of seemingly worthless kitsch and reproductions, he attacks them with spray cans and markers, working on 10 to 50 pieces at the same time. Throughout a few insanely busy hypnotic days and under the spell of the ghostly spirit of Neoism, Kantor can finish a whole new body of work at once. The last touches include the marking of the exact date, day/month/year, and the titles. For Kantor both are essential part of the final product. ?

The following short anecdote demonstrates the importance of dates and titles in Kantor?s practice. A collector once asked him to erase or change the dates on a number of works dated by the exact same day because for him it seemed like a commercially devaluating mark, suggesting that the artist made all of them on the same day and therefore didn?t put much effort in their creation. Kantor responded with wiping out not only the dates but all of the images as well and then marking the ?blank? pieces with historical dates of revolutionary events for titles and finally faithfully and accurately dating each of them with the exact same date of the day.? ?

Kantor?s solo exhibition at Fountain, entitled The Life and Times of Istvan Kantor, presents action fueled visual expression coupled with skillfulness in decomposition. Kantor?s surprisingly crafty anti-art production deliberately emerges through the autobiographically focused, ironical modus operandi. ?

Ka Wai Foio

Tuesday, September 9, 2008

STILL LIFE


paintings on paintings by ROBERT FARMER

Edgy pop-surrealist Robert Farmer takes us on a loopy trip in this exciting new body of work ( including some older classics). Appropriating forgotten mass-produced framed prints including images taken from books, Farmer creates pseudo-social narratives of dreamy carnival-esque scenes with a turn-of-the-century feel. The oil paintings have the trademark bunnies, maniacal babies and other creatures all happily interacting as if during playtime at the insane asylum. While some of the areas appear subtly altered, others are boldly introduced.
Humour and spectacle prevail, and laughing will be encouraged!
Opening reception Friday Sept 12, 7-10pm.
See the recently completed mural across the street from Fountain!
Exhibit runs concurrently with the Queen West Art Crawl Sept 13-14 and continues to September 21.

Thursday, August 21, 2008

in/ex


interior/exterior as explored in triptych format by Adelle Bailey, Alana Didur, Caorline Mosby, Eve Mosby, Heather Courtney, Jenn Norton + Christy Langer, Jenny Wing-Yee Tong, Joyce Mosby, Julie Moon, Karen Mosby, Laura Horne, Laura Watt and Sara-Lila Asselin.

August 20-31, 2008
Opening Reception Friday August 22 7-10pm
with a performance by Summer Mittens

Gallery hours:
Monday by appointment
Tuesday-Thursday 12-5pm
Friday-Sunday 2-7pm

Thursday, August 7, 2008

LANDSCAPES


New and selected artwork by: Kenneth Charles Day

Opening Reception Thursday, August 7, 7:30-10:00pm.

Exhibition continues to Sunday August 17, 7:00pm.

Extended hours for this exhibition: Monday - Wednesday 2-5pm
Thursday - Friday 2-9pm
Saturday - Sunday 2-7pm